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The Out 100

The Out 100

In the GOLDEN AGE of HOLLYWOOD, icons were created. America's dreams and desires were writ large, creating a new kind of shared experience where, even amid our setbacks and defeats, anything seemed possible. Into this era of exuberance we cast the Out 100, our unashamedly subjective list of the gay men and women who moved culture -- ours and the culture at large -- over the past year. These artists, activists, athletes, and aesthetes embody triumph, daring, ingenuity, and integrity.

With photography by GREG LOTUS, ROGER ERICKSON & LEE JENKINS

honorees_1

RACHEL MADDOW

It's been almost as big a year for Rachel Maddow as it's been for the political world she covers in her nightly MSNBC show. The 35-year-old Rhodes scholar, a TV novice but veteran radio commentator (with Air America since its 2004 founding), seems to be having the time of her life. "I think of this as a chance to talk about the news on TV for an hour each day," she told the Los Angeles Times. "How awesome is that?"

Pretty awesome indeed, according to the audience response: Hers was the most successful launch of a new show on MSNBC, doubling that channel's viewership in her time slot from 800,000 to 1.7 million viewers. "I'm a big lesbian who looks like a man," she told one interviewer. "I am not, like, Anchor Babe, and I'm never gonna be." 

honorees_02

WILSON CRUZ

As an actor Cruz has garnered wide-ranging roles in comedy and drama, playing silly, sexy, and serious since his groundbreaking portrayal of an out high schooler in My So-called Life. After appearing in Coffee Date and Logo's Rick & Steve: The Happiest Gay Couple in All the World, Cruz has a recurring role in Steven Bochco's Raising the Bar and stars in the upcoming films The People I've Slept With, The Ode, and He's Just Not That Into You with Drew Barrymore.

GEORGE TAKEI & BRAD ALTMAN

To some, George Takei will always be Star Trek's Mr. Sulu, while to others, he's big daddy Kaito Nakamura on Heroes. But in his biggest role to date, he and his partner of 21 years became husbands on September 14 in Los Angeles. As part of their vows, Brad Altman (seated) said that he'd called Takei many things during their time together-"life partner, significant other"-but now "I can add ‘my husband' to the list of things I call you."

MISSY HIGGINS

Missy Higgins's piano-laced ballads have helped set the scene on Smallville and Grey's Anatomy, and she began touring America with the Indigo Girls in September to promote the U.S. release of her second album, 2008's On a Clear Night. In her birthplace, however, the Aussie singer-songwriter-who identifies as "not straight"-has received the ARIA Award (Australia's Grammy) for Best Female Artist two years in a row.

SILVIO HORTA

Now in its third season, Ugly Betty has never been hotter, and as much as we love her, America Ferrera can't take all the credit. Horta, the creator of the American adaptation of Betty La Fea, is also writer and executive producer of the show. He's been nominated for an Emmy for Outstanding Comedy Series and won the Alma award for Outstanding Writing.

MATT FOREMAN

While the politics of LGBT organizations can sometimes be volatile, Foreman was a rock of stability during his five years as executive director of the National Gay and Lesbian Task Force. By the time he stepped down from the NGLTF in April to become director of the gay and lesbian program at the Evelyn & Walter Haas Jr. Fund in San Francisco, he had stabilized the organization, helped defend marriage equality in Massachusetts, and aided the mobilization of state and local support against antigay attacks. This year he had the chance to walk down the aisle in San Francisco and enjoy some of the fruits of his own labor.

honorees_3 EVAN WOLFSON & ARI SHAPIRO

Evan Wolfson (left) wrote his Harvard Law School thesis on same-sex marriage in 1983, worked on marriage cases for Lambda Legal during the '90s, founded Freedom to Marry in 2003, and has been tirelessly writing and speaking against California's Proposition 8, the measure aimed at rescinding marriage equality. "Gettysburg was the turning point of the Civil War," he told the Washington Blade. "California is Gettysburg."

Ari Shapiro (right) had not long been with National Public Radio, as an assistant editor on the news show Morning Edition, when he found himself calling businesses at the top of the World Trade Center. It was September 11, 2001, and Mohammed Atta and his cohorts had just flown two planes into the Twin Towers. "I reached a secretary at one of the firms above where the first plane hit," recalls Shapiro. "She apologized and said that she couldn't do an interview because they were being told to evacuate." He never discovered the fate of the woman he spoke to that day, but the experience was a baptism of fire for the young reporter who went on to become the youngest justice correspondent in the venerable broadcaster's history. Now 30, Shapiro scored one of his biggest scoops earlier this year with a story of a staff attorney in the Department of Justice passed over for a promotion because of rumors that she was a lesbian.

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So, I read today that the designer of Mattel's Barbie doll was obsessed with sex. Seriously? We need a book-length study to tell us that?

We in the land of feminist academics have been teaching the pernicious sexual politics of Barbie for years. The breasts that defy gravity, the hair, the long, long legs and of course the cruel, nipped in waist. Oh, don't forget the tiny clothes, the f*ck-me pumps, not to mention the well-equipped kitchens in every Barbie Dream House. The message of Barbie seems unambiguous to me.

Still, many students (and not a few colleagues) consistently resist seeing Barbie as a miniature sex toy, claiming instead that the doll was a good role model for little girls. (One could, after all, purchase a Barbie doll dressed as a doctor.) Or claiming, equally untenably, that toys had no impact on their ideas about gender roles or their own sexuality.

These students, mostly women, want to rescue Barbie, to protect their own childhoods from academic interrogations of pop culture and what those interrogations might reveal. That's understandable. Yet, many of these same students sit in my class pouring out of tank tops, squeezed into low-rise jeans, or tugging on mini-skirts so short they are nearly impossible to sit down in. That is, dressed like Barbie.

It's an experience I regularly have as a feminist critic of popular culture: a media event, book or news story demonstrates that I'm not wrong, my ideology is not based in "over analyzing," "hyper sensitivity," or "reading too much into things" (the three most common criticisms feminists tend to encounter). It's disappointing, frankly, to stumble so often upon evidence of society's sexism and to keep having to explain that it's there. Disappointing that Barbie was so obviously a sexed-up, misogynist, bad idea for little girls and to realize how thoroughly our culture embraced the toy anyway.

So, here we are again. Feminists were right: no one but a sex-obsessed man with a perverse idea of female anatomy would create a female toy like Barbie. And, as is too too often the case for feminists, being right isn't something to celebrate.

Dr. Bean is an Associate Professor of English at Marshall University, specializing in Gender Studies, Film and Drama. She is the author of "Post-Backlash Feminism: Women and the Media Since Reagan/Bush" (McFarland & Co. 2007). She hosts a blog on mid-life and feminism at kelliebean.com.